The Stories I Tell ~ from The Word Cellar

Stories. Anecdotes. A free round of words for everyone!

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Name:
Location: Pennsylvania, United States

I love stories. I'm the one at social functions with a dozen new anecdotes. But I worry about hogging the conversation. Sometimes I tell myself that I'll be quiet and let others do the talking. But no matter how hard I try, my stories insist on bursting out! Here I can let my stories (the classics that I tell again and again, as well as new ones that unfold along the way) run free. I'm a professional writer and editor, and sole proprietor of The Word Cellar. I write for a variety of publications and clients on everything from green buildings and nuclear reactors to entrepreneurship and the arts. If you need words written, edited, or enlivened, I can help. Contact me.

5.04.2009

Enough, already.



Things I don't do often enough:

  • Blog
  • Exercise
  • Weed the garden
  • Write
  • Laundry
  • Dishes
  • Vacuum
  • Floss
  • Dust
  • Shave my legs
The list goes on, on, on. Does yours do that, too?

Superhero Andrea has a recent blog post about doing enough by choosing what enough is. The idea came to her after reading Chris Guillebeau's 279 Days to Success Overnight manifesto, which I discovered a few weeks ago and love. Andrea sums up some things that have been swirling around in my head for awhile now. She says it beautifully, so I hope you'll read her post.

As a work-at-home freelance writer, I have a lot of time on my hands to play with. By this I mean that I can shape my days in almost any way I choose. This is a huge blessing in my life and I don't want to go back to a traditional work schedule. But the downside is that without a set schedule, writing work and domestic work start to meld together. Any time feels like a perfect time to work on a project or to do chores. As such, I'm constantly fighting off the feeling that I'm not doing what I should -- or could -- be doing. Because I haven't set specific goals (exercise three times a week) or allocated exact times for tasks (work on client projects from 1:00 - 5:00), I rarely feel like I've accomplished the day's goals.

I chafe against order and structure. I tend toward chaos. But in my heart, I know that I need a schedule -- as long as it's one that I have devised. I've been trying to do this for awhile now. I finally have some things in place that will help me create order. I'm intrigued to see if I can finally feel like I've done enough by defining what enough is.

What works for you?

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add to kirtsy | 6:21 PM | 4 comments

4.22.2009

Gradbabies


You can also listen to this story here.


I saw my aunt and uncle in the grocery store the day before Easter. We met up at the end of the jam and jelly aisle, in an open area near the meat counter. I waved first, since it seemed inevitable that they'd see me. It had been at least a year since I last saw them, and I wanted to give them plenty of time to recognize me out of context.

The only thing in their cart so far was a 10 pound bag of potatoes. Later on I'd see them picking out a ham. Until a few years ago, we all used to gather for Easter and Christmas at another aunt's house. But it looked like everyone would be cooking for their own this year.

"Anything new?" my aunt asked.

I gave the standard, "Not much," and then remembered something new, a growing rarity these days: "I'm going back to school."

"Oh?" my aunt said. "That's interesting."

"When am I gonna be an uncle?" my uncle chimed in.

I knew what he meant. "You're already an uncle," I said, trying to sound good natured. "And you're a grandfather! What more do you want? To be a great-uncle?"

"He's that, too," said my aunt, referring to my other cousins who started babymaking a few years ago.

"That’s right!" I said, keeping up the lighthearted banter just a bit too loudly. "See, you don’t need me at all."

We talked for awhile longer, but the subject of me going back to school never came up again. Nobody wanted to know where or why or how or for what. After that conversation, I wondered how many other people are thinking what my uncle, always the outspoken one, actually said.

Me: I’m going to grad school!

Others: When are you going to have a baby?


At a family visit a few years ago, I stood beside my grandmother while we watched a scene unfold around the clan's newest infant. I'm not overly close with my grandmother, and she's not an overly talkative woman, but I know she loves me. After minutes of silence, she turned to me and said, "Well, your mother wanted to be a grandmother, but I guess that's not going to happen now."

I found this curious for several reasons, the main one being that she is my paternal grandmother: my father's mother. Unless she and her daughter-in-law had developed a strong bond recently, or my mother was much more grief-stricken about my childless state than she's let on, I couldn't imagine this was an actual conversation the two of them would ever have.

I didn't know what to say, so again I played the jester. I gestured to my younger brother and said, "Hey, he could have kids!"

I don't know why my grandmother assumed kids were out of the picture for me. I can't recall ever discussing with her my angst and ambivalence about becoming a mother. And this was just a few years ago, when I was in my late 20s or very early 30s and still spry enough to try for a little spring chicken if I so chose.

All in all, I'm thankful that I don't get much pressure from family or friends about my childlessness. For now, this is what makes sense and works for me and my husband. People generally respect that. But every so often, someone slips, and I wonder how many people are questioning my choices. That happens to everyone, I suppose. At some point, we just need to stop worrying about what family, friends, or society think of the path we choose.

A friend recently told me, "I'm so tired of trying to manage my image with my family." For sure, that can be exhausting work, full of subterfuge and half-truths. Personally, I've never really felt the need to do that, especially outside of my immediate family. Most of them have never really known me, but only because we run in different circles, not because I'm hiding anything.

While I was growing up, my parents, brother, and I often spent Friday nights at my great aunt's house in the country. This was on my mother's side of the family. There was always an elaborate spread of food for an evening meal, well after dinner time. It felt so decadent to eat after dark. Summers were the best because the table was covered in delights from my aunt and uncle's garden: sliced bright-red tomatoes, deep green bell peppers, shapely spring onions.

When I became a teenager, those visits became less fun, as do most things at that age. This was during my mandatory dark and twisty phase, in which I was trying to embrace the writer within. I remember sitting on a wooden stool at the little bar island in the kitchen, apart from the family merriment in the living room, and writing something along the lines of: These people are my relatives, but I do not feel related or relevant. It was my way of realizing that you can't choose your relatives, but you can’t hide from them, either.

Most of the people from those Friday night gatherings are far away or gone now. Unlike my dad's side of the family, which is teeming with new life, my mom's side has only seen two new additions. If anyone should be worried about my procreation habits, it would be them – if there were anyone left to worry.

As I settle into my third decade, I have a growing hunger for family and relative connections. But I'm also not ready to throw my own eggs into the ring just yet. When I am, I guess we'll all have something to talk about.


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add to kirtsy | 7:35 PM | 2 comments

4.04.2009

This is just to say

I hope
to start
writing
in this
space
very soon.



In the meantime, did you know that it's National Poetry Month?

Here's a poem I really like. Share your favorites in the comments.

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add to kirtsy | 6:20 PM | 2 comments

2.27.2009

Three More Good Things (one word: Squam)

Despite a tiring, rainy day outside, I'm feeling happy and shiny in my soul because I'm off to New York this weekend for a long awaited visit with a friend. The weather forecast is calling for coldish weather, but the lows don't go below 20 degrees (Fahrenheit). After enduring single digit temperatures for a few weeks this winter, anything above the teens feels manageable. So while I'm gallivanting around Brooklyn and soaking up the goodness, here's your second tidbit of soul sunshine. (Don't miss the first part. It's a good one.)

I actually have three things to tell you about today.

First is for those of you who attended the Squam Art Workshops (SAW) last year.


Liz Kalloch (also known around blogland as Athena Dreams) has pulled together a wonderful opportunity for 2008 SAW attendees: the First Annual Squam Art Show: A Vision of Squam. This show is open to anyone who attended or taught at the 2008 Squam Art Workshops. "This show is meant to be the story of how your work may have shifted and grown, how your lives as artists were perhaps changed, how the experiences you had at Squam in 2008 may have allowed you to see your work in a different way, how each of your artistic communities have grown and expanded and finally, what kind of work came out of your experience," says Liz.

The submissions deadline is April 30, 2009. (That may sound like you have plenty of time, but don't be fooled. Mistress Spring has a habit of flitting in and out of the month of March, tempting us all to distractions like flowers, flirty dresses, and cupcakes. The end of April will be here before you know it. So get to it!)

The jurors for the show are Susan Schwake, Liz Kalloch, and Mary Jo Monusky. The show will be held at artstream Gallery in Rochester, NH and opens on September 1, 2009. All of the details about submissions and the show are available here.

Secondly, this is for those of you who attended SAW last year but may feel a little shy about entering work in a juried show. (Like me!) Liz has also put out a call for a Collective Media Submission. All 2008 SAW attendees are encouraged to submit something to this category. Here's how Liz describes it: "These pieces will all be hung in the gallery like prayer flags, like meditations on a moment, like beautiful memories, or maybe even like cocooning butterflies." Doesn't that just sound too lovely not to be a part of it? Submissions for the Collective Media Submission must arrive at artstream Gallery by August 1, 2009. Again, you can find out more here.

And thirdly, this is for all of you who didn't attend the Squam Art Workshops last year. What about this year? Want to try your hand at knitting, painting, or songwriting? How about a class on storyweaving, mixed media art, poetry, outdoor sculpture, jewelry making, or photography? There are even classes on tapping into your creativity and slots for open studio time.


There are two sessions of SAW this year. The Spring Workshops will focus on fiber arts (with a few other types of classes thrown in for good measure) and will be held June 3-7, 2009. The Fall Workshops are more multi-faceted and will run September 16-20, 2009. You really need to check out the website to get all the details. Because the goodness runneth over!

I had mixed feelings after attending SAW last year, all based on my own conflicted feelings and issues. The event itself is fabulous. Over the past five months, the experience has had time to mature and mellow, and to develop a nice patina. I've realized that despite my feelings of isolation while I was there, I was actually developing new friendships that continue to grow and deepen. So I'm looking forward to going back this September. In addition to spending time with these friends, I'm looking forward to playing with paints and words, all mixed up into one messy, thrilling experience.

If you're intrigued, I hope you'll dig a little deeper and consider attending. Registration has been open for a little while now, and spaces are limited. So if you feel this opportunity tugging at your soul, don't dismiss it.

Okay, that's the Goodness Report for now. I'll be back next week with tales from the big city.

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add to kirtsy | 1:09 AM | 2 comments

1.18.2009

Pitfalls of the Blogging Writer


There are many things I love about being a writer. There are many things I love about blogging. But sometimes, being a writer who blogs can be a real drag. Actually, being a writer has a number of pitfalls. I live in constant fear that I'll mispronounce the word "nuclear." I worry about undetected grammatical errors infiltrating my daily speech. Writing a quick email is never quick or easy. Words are my trade. Unfortunately, those very same words are what we English speakers use to communicate. So every written or verbal interaction is like a landmine for writers. One false move or double negative and BOOM! Not good.

I love using this space to tell stories. I also love that it's a place to make you laugh, share truth, and generally form and kindle connections. That's what I love about writing in general. So when I'm quiet for a few days (or nearly two weeks), it's not because I'm not thinking of you, dear reader. It's because I feel constrained by my role as Writer, capital W. I want to stop by and say, Hey friends, how's it goin'? It's cold and snowy here. Oh, and I've been working on a cool project. What's new with you?

But that's not very story-ish, now is it? (Plus, dropping the letter "g" from the ends of words could get me in trouble with the word police.) Even writing this post feels like a cop-out. In the back of my mind, I'm always aware that what I write on this blog can be used to judge me. Of course, that's true for all of us who blog or share our words in a public way: There's always the risk of judgement when we put ourselves out there. But that's a whole different emotional animal that deserves its own series of posts.

I mean that I know that potential clients and editors can come here and judge the quality of my writing or the content of my posts. I have no statistical data on this, but I believe that what I write here may be a factor in whether or not someone hires me. So I feel an unspoken pressure to make sure it's always good.

But that kind of pressure in this kind of format leads to no writing. While I often use this medium to share stories, a blog is something different than a book of essays. Sometimes I wonder if I should make it more like an online publication and less like my little corner of the virtual town square. But I've developed real friendships and made good professional contacts as a result of blogging. Erasing the community quotient from this space doesn't feel right.

I'd like to know how those of you who make your living creatively feel about this topic. Do you feel like everything you write must be a reinforcement of your personal "brand"? (I know, I know: many of you hate that term.) Does this issue of quality control impact other artists as much as it does writers? What about those of you in other fields? How do you balance staying in touch and building community with the need to provide quality content on a regular basis? And while you're at it in the comments, How you doin'?

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add to kirtsy | 2:49 AM | 5 comments

1.06.2009

The Portfolio Project


Remember how I asked you to come back for this post if you like it quick and dirty? (Yes, I know: It's a stupid, base joke, but I can't help myself.) Well here you go, folks. You're just in time to play a great new game to help you overcome whatever has been blocking you from fulfilling your creative dreams.

The Jens Extradordinaire (that would be Lee and Lemen) got together and cooked up an idea they're calling the Portfolio Project. Here's how Lee describes it:

We came up with a 12-week action burst that would focus on daily production goals that will dramatically expand our body of work. This is a big game. What would your landscape look like, if 12 weeks from now you had 50 new paintings, or 100? If you had 50 new poems and short stories? What if they weren’t all amazing–don’t you think the odds are that plenty of them would be? That it would feel good to fish for the best from a vast ocean instead of a puddle of projects


The basic idea is to do your creating quick and dirty, not pretty and perfect. There is no room for perfection in this game. Just create, create, create, and see what comes out of it.

Ms. Lee is producing a series of podcasts exploring the ups and downs of the Portfolio Project. They're chockablock with little nuggets of wisdom and encouragement, so I highly suggest that you check them out and consider subscribing to find out when she posts a new one.

I'm starting to play the Portfolio Project today and invite you to join me and the others. The beauty of this game is that you can start when you want and make up your own rules. I've decided to set aside one hour a day to work on whatever kind of writing I want, free from the worries and constraints of getting it "right" or being "good enough."

Call it a game, a self-help project, an experiment. Just don't call it a New Year's resolution; those things are loaded with fear and failure rates. Be kind to yourself and start writing, painting, drawing, playing music, taking photos, making collages, whatever creative pursuit suits your fancy. And let us know how it's going.

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add to kirtsy | 2:23 AM | 2 comments

11.24.2008

Tell Your Story: An Interview with Jen Lee

The magical Jen Lee, photo by Jen Lemen
Some things I love:

  • new friends with old souls;

  • beautiful creative projects;

  • learning how to do something new; and

  • getting to the heart of a story.

This audio interview
that I did with the radiant Jen Lee envelops all four of these things. First of all, my lovely new friend Jen has a wise soul that practically glows with creativity. To create this interview, she taught me a thing or two about using Garage Band on my new Mac. But the best part of this little interview is getting to hear a piece of Jen's story, including how and why she created Don't Write: A Reluctant Journal and Solstice: Stories of Light in the Dark, two projects that are still available for purchase on her website. (Each are part of limited edition runs, so don't wait to order them!)

Treat yourself to a warm beverage, close your eyes, and allow yourself to soak in Jen's voice as she talks about having the courage to write and making our voices heard.

(Once you click through to the audio link, just click "Play" to listen to the interview online.)

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add to kirtsy | 12:07 AM | 4 comments

11.22.2008

The Life of a Writer

me and my love, selves portrait; rockport, massachusetts, october 2008

Some Days

by Billy Collins

Some days I put the people in their places at the table,
bend their legs at the knees,
if they come with that feature,
and fix them into the tiny wooden chairs.

All afternoon they face one another,
the man in the brown suit,
the woman in the blue dress,
perfectly motionless, perfectly behaved.

But other days, I am the one
who is lifted up by the ribs,
then lowered into the dining room of a dollhouse
to sit with the others at the long table.

Very funny,
but how would you like it
if you never knew from one day to the next
if you were going to spend it

striding around like a vivid god,
your shoulders in the clouds,
or sitting down there amidst the wallpaper,
staring straight ahead with your little plastic face?

---------------------
"Some Days" from Picnic, Lightning, by Billy Collins, © 1998. All rights are controlled by the University of Pittsburgh Press, Pittsburgh, PA 15260. Used by permission of the University of Pittsburgh Press.

Online source: Academy of American Poets, http://www.poets.org/viewmedia.php/prmMID/19753

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add to kirtsy | 11:52 PM | 1 comments

11.12.2008

When things are quiet and messy

I know that it's been quiet around here lately. I've been rather quiet on other fronts, too. I'm not doing much writing beyond what my current paying projects require. I'm not happy about this. My mind feels dull and cluttered, much like the view from my kitchen window: a persistently overcast sky above a leaf strewn yard. Yes, things are grey and messy around here. Honestly, it's making me feel a bit bleak and hopeless. But I'm choosing to believe that this is the quiet before the creative storm.

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add to kirtsy | 1:08 AM | 6 comments

10.11.2008

On Being Good Enough and Getting Better


A new friend recently wrote about the fear of not being good enough. She'd entered a plein air competition and then felt sheepish when she saw her paintings next to the others. She writes:

and then friday came, the night of the exhibit opening, and my inner gremlins attacked. as i walked through the exhibit all i wanted to do was rip my paintings off the wall and run away. i didn't even want to go and ask the gallery director how long he would be keeping my paintings. i was embarrassed and frustrated. my paintings stuck out, they didn't match the style or execution of any of the others. and i had priced mine several hundred dollars higher than the others. despite how good i had felt about my accomplishments before, my confidence was washed down the toilet during those few moments stuck inside the poorly lit gallery.

. . .

on the drive home i mustered a question to my hubs through trembling lips, "i'm really not that good am i?" his reply was sweet and honest, "you are good, i think you just need to enter contests that showcase more work like yours." i know that he's right, but for a girl who doesn't even know what my style is for sure... it's hard to know which direction to go in.

I'm really not that good, am I?

Isn't that the question we all ask? Isn't that the little voice whispering in our ears all the time? Nudging us right before we fall asleep, when we try something new, when we share our heart's passion with others? Sometimes we can silence that voice: when we're deep in the throes of joyous creation or having ridiculous amounts of fun. But then we come back down from our high and that voice, that question, is right there waiting for us. How many times have I asked myself that question in a small, scared voice?

I'm really not that good, am I?

And then, when we're fortunate, our husband, our friend, our dentist, our sister, our teacher, a stranger, answers with kindness. They tell us the only truth that matters. They say, "Find your place."

We don't want to be told to find "our place." To put someone "in their place" is to humble them, to humiliate them, to show them where they belong, which is clearly not as high as they had hoped.

And yet, aren't we all searching for our place? The space in which we feel seen, heard, understood, loved?

Maybe nothing in life is about being good or bad, better or worse. Maybe it's all about finding our place: the place that feels right for us and fits our current style, our current needs.

In many ways, I'm not a competitive person. The very premise of a contest chafes against the magnanimous part of me that believes in equality, freedom of expression, beauty of individual choice. Some things have clear demarcations: The fastest runner wins the race. Some things do not: How do we judge who paints the better painting, who writes the better book?

And yet, relativism is a house built on shifting sand. If everything is good, how do we get better? I'm not a competitive person until I'm competing with myself.

I recently submitted an article and was told that my opening "wasn't going to cut it." I was embarrassed, but realized that the editor was right. 

I wailed about this humiliation to my husband, who is always my rock in this sandy desert. I was upset that my article wasn't good enough. On top of that, I was upset about being so upset.

"Why am I so fragile about things like this?" I asked, mostly rhetorically.

"Why wouldn't you be?" he replied, almost rhetorically.

"I should be a better writer by now!" I lamented.

"Why?" he challenged me. "How much better do you have to be before you're as good as you think you should be?"

"Just a little better," I said with a slight smile. I was thinking of this line, often attributed to the very wealthy Andrew Carnegie:

"How much money is enough?"
"Just a little more."

After I got over myself, I reworked the article. And the full irony of the situation dawned on me: By worrying about the pain of not being good enough, I was missing out on the experience of getting better.

There is a big difference between the voice that asks, "I'm really not that good, am I?" and the one that says, "I want to be better."

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add to kirtsy | 2:11 AM | 6 comments

10.05.2008

My Words in Other Places


I don't usually promote my other writing here, but the other day it occurred to me that perhaps a little link love might not be such a bad thing. If you're not interested, no pressure. But if you'd like to see what else I'm writing online, here you go:

For pet lovers

Care.com is a website that connects you with local caregivers for kids, seniors, pets, and your house. I write for the site's Pet Care section. Feel free to browse the articles there, or visit the portfolio page on my other website for links to specific articles.

I also contribute to Care.com's Pet Care Scoop blog for dog walkers, pet sitters, and pet caregivers. Even though autumn is in full swing, Ten Summer Safety Tips for Pets contains some relevant points. Plus, Emergency Pet Kits: Disaster Preparedness and Top 10 Tips for Taking Care of Aging Pets are always timely.

All about the 'Burgh
If you're interested in learning about groovy things happening in Pittsburgh, check out Pop City. My two latest stories are about wine and coffee (tasty!), but I've written a bunch of other stuff, too.

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add to kirtsy | 8:01 PM | 4 comments

9.29.2008

Squam Interview on BlogHer

me, as seen by beth from more doors

I was tickled pink when Jen Lemen asked to interview me about my experience at Squam Art Workshops for her Art & Design column on BlogHer. You can read it here.

I'm concerned that my last post about Squam makes it seem like I had a lousy time there. That's not true. As usual, the truth is multifaceted. The truth is, I did feel socially awkward and like I didn't get the experience I'd hoped for. The truth also is that I met some wonderful people, made some exciting new friends, and learned a lot about art and myself. It's all the truth. The truth is messy. And I'm (learning to be) okay with that.

So if you're feeling like a social misfit and want someone to commiserate with, read my last post. But if you're wondering what it was like for a word-loving writer to be thrust into the woods with more than 100 image-making artists, read the interview.

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add to kirtsy | 1:35 PM | 6 comments

9.06.2008

It's All Happening: Mondo Beyondo Update

heart in Union Square, San Francisco

At the beginning of the year, I wrote a retrospective on 2007 and a Mondo Beyondo Prospective for 2008. (Find out more about the Mondo Beyondo concept.) I named 2008 my year of Opportunity, Abundance, Prosperity, Plenty, and Creation, and made a list of intentions for how I want to live and what I want to do. I also named and claimed some Mondo Beyondo dreams for this year and beyond. I'm amazed and joyful and humbled and pleased to see several of them coming to fruition.

I wanted: "to start creating mixed media art and find my own path as a visual artist." Next week, I'll go to my very first art retreat, where I'll take a painting and mixed media class. I'm also taking a travel journaling class and attending the Superhero Life workshop. I'm particularly excited about this last one, as it's being taught by the Super Duper Andrea Scher of Superhero Designs. I met Andrea very briefly at the BlogHer Swap Meet this summer and can't wait to learn from her. Plus? Her lovely assistant will be Jen Gray, who I "know" through blogging and a few emails. (It's hard to know if the word "know" is really the right verb in these cases, isn't it?)

And as if that weren't enough, Jonatha Brooke will be providing camp fire music, Boho Girl Denise will be running around taking artist portraits, and Kelly Rae Roberts, one of my favorite artists, will be hosting a discussion about living the creative life.

But wait! There's more! I was serendipitously connected with Kelly Barton of Camp Indigo Soul to share a rental car between the airport and the camp. After connecting with her, I realized that she is the woman behind one of my favorite Etsy shops. And speaking of serendipity, I'll also get to meet the inspiring Liz Elayne Lamoreux of Be Present, Be Here and The Little Room Etsy shop. (Remind me to tell you the funny little story about how we "met" online.) I'm also looking forward to meeting Kirsten Michelle from In the Land of the Lovelies.

I have a feeling that once I get back from New Hampshire, I'll be gushing about all of these women and more, as well as the whole Squam experience. (fair warning!)

I wanted: "to uncover and be at peace with my decision about having a child." Although I haven't reached a decision or a place of total peace yet, I have had a major epiphany in this realm, which has helped me to understand the swirl of emotions surrounding this issue for me. I'm not ready to tell that part of my story yet, but the plot is definitely taking a few twists and turns.

I wanted: "to spend a week at a writers' retreat somewhere beautiful, comfortable, and nurturing." Earlier this year I reconnected with a writer friend from college (hi, Jamye!). Several months ago, she asked if I would be interested in joining her and some other women on a writing retreat. The details are still unfolding, but it looks like this little dream will come true the first week of November.

At least one other Mondo Beyondo dream is in the works and looks like it will become a reality. And that's just what I can see. What if all the others are unfurling in their own way and time? I don't know where my dream cottage is yet, but I'm sure it's out there.

There is more of the year behind us than in front of us, but there's always time for dreaming and scheming. What are you up to lately?

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add to kirtsy | 1:50 PM | 7 comments

8.30.2008

Laundry: A Poem


I'm trying something new tonight: sharing a poem with you. Seeing this artist's rendering of dryer lint reminded me of a poem I wrote in college. The scene that unfolds in it is fictional, but feels very real to me.

I'm rather shy about sharing this with you. Poetry is like singing for me: I enjoy it, but haven't the faintest idea if I'm any good at it. With my narrative non-fiction writing, I can usually get a handle on things and decide if a piece is good, or at least passable. But my own poetry leaves me baffled. I know I like some of it, but I have no bearing beyond that. Perhaps therein lies my answer: If I like it, it's good (enough) for me.

And so, I stand up and sing in front of the world:

Laundry

The agitated sloshing of cold water Tide
Is white background noise
To accompany silent swirling snow outside.
Two chairs from the door, resplendent in purple polyester pants,
And a gold paisley shirt
Plumps a sitting woman, serious about her breathing.
Across the room, brown and stout, the change machine crouches.
A small boy, same shade as the machine, though slighter in build,
Reaches on tip-toes to feed it a limp dollar,
Laughing with accomplishment as four shiny quarters clatter
Into the curved cup.
In the corner, farthest from the windows
(Though the fluorescent lights allow no shadow)
Entwines a couple, as agitated as my washer.

A harsh buzz,
The spin cycle stops.
Time to dry.
I open the smooth white lid to towels and shirts
Stuck, wet heavy cold, to the pin-holed sides of the steel tub,
Like people pressed to the walls of that amusement park ride
Spinning wildly and the floor dropped out and your face flattened
With the pressure.

The lint in the tray is soft speckled grey:
Leftovers of some stranger's laundry.
I'd like to keep it --
Collect the lint of a hundred machines,
Weave a familiar eclectic sweater
To wear when the wind threatens my warmth.
Instead, not to look odd in front of the wheezing polyester woman
(now sucking on a soda)
I toss it away and heap
My own into the dryer.

In the corner, the couple giggles.
The little brown boy stares until
Mother reprimands,
Her arms full of kiddie clothes,
A yellow, green, and white box of fabric softener wedged between her chin and chest.
The boy spies Polyester's Mountain Dew and clamors
For more change.
Another washer shutters to a stop.
The girl of the couple swings her tight acid washed jean hips to the machine,
Peers inside, unsure of the next step.
I wonder if her man will strut to her side and save his distressed damsel;
But he just stares at her backside leaning over the open lid.

A click and a beep.
My towels are warm and fluffy,
But too worn
For a Downey advertisement.
My basket piled full of woven lint,
I set it on the orange plastic scoop chair beside me.
The smell of static-electricity,
Like metal-vegetation:
Tiny crackling sparks as I pull apart
Washcloths and socks,
Pillowcase and bathmat.
The mother drops a small pair of overalls
And the boy asks me, "Do you have a quarter?"

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add to kirtsy | 1:30 AM | 4 comments

7.09.2008

I'll Never Get It: Thoughts on rejection


"You can read your thing in front of me -- and the cats."

This is what my husband says to comfort me and make me laugh. I'm being sad and pissy about not being chosen to read for the BlogHer Community Keynote.

It works. I laugh. But when I walk away, I still feel sad, jealous, and angry. I'm surprised by how disappointed I feel. Then I sit down at the computer and decide to write about it, because what else is there to do but write?

Man, that last line was trite. No wonder my submission wasn't chosen as one of 16 among hundreds. Clearly, I suck. I'm not funny. I'm not poignant. I don't have a way with words. I'm never going to hack it as a "real" writer, whatever that is.

Okay, so I don't really believe all of those things. One rejection hasn't completely done me in. There was a time when I would have immediately jumped to those conclusions, but not now. Still, I do feel a bit like that guy from Sesame Street who tried his hardest to bang out classics like "Twinkle, Twinkle, Little Star" or "Yankee Doodle" on the piano and ended up banging his head off of the keys instead, crying out: "Oh, I'll never get it! Never!"

But you know the most annoying thing of all? Even in the midst of this hotbed of ugly emotions, the lesson of the situation crystallized almost immediately: I don't do many things that carry the possibility of rejection.

Aw, man! You mean there's a nice little lesson wrapped up in this uncomfortable feeling?

So now I'm disappointed and annoyed. Can't I just behave like a bratty five-year-old for five more minutes? Can't I just throw myself to the ground, kicking and screaming, bemoaning how unfair it all is?

I throw myself down kicking and screaming alright, but the lesson comes anyway. And like all realizations that emerge from uncomfortable moments, it's true: I don't risk rejection. And then the obvious significance of that epiphany surfaces: Is this why I keep putting off pitching articles to national magazines? Is this why I haven't figured out where to send my essays? Am I insulating myself from failure rejection?

Oooh, see that typo? I accidentally wrote "failure" instead of "rejection." Isn't that telling?

I went through a time with my freelancing when I was convinced I was -- and forever-would-be -- a failure. I really did weep and wail that I'd never get it. You want to know the crazy part? This came after I'd already had some significant and encouraging success. Heck, I quit my day job to freelance fulltime, confident that I could make a living at it. But then life got hard and I let various things overwhelm me. It became so much easier and more convenient to play the victim card. And you know what happened? The more I wailed that I'd never get it, the truer it became. My fear became a self-feeding parasite. The more I feared "failure," the more I "failed."

At the beginning of this year, I finally decided that I had to make one last stand and go down fighting. And do you know what happened? Of course you know what happened. Once I stopped focusing on the fear and potential failure, everything fell into place. Work rolled in, I picked up new clients, and my income in the first six months of this year is more than all of last year.

Over and over again, we must learn what we already know. So I guess that means it's time to stop playing it safe. This relatively minor but important rejection has pulled back the cloak from my fears, exposing them to the cold wind of self-awareness. I have nowhere left to hide. Not even hackneyed metaphors can save me now.

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add to kirtsy | 1:30 AM | 4 comments

5.28.2008

Comfort in the Unknown


"I'm excited and nervous about it," I said.

"Why?" James asked.

"Because it's outside of my normal milieu. Outside of my comfort zone."

There's a pause. I know what my husband is about to say next, and I know he's right.

"Yeah, but doing things outside of your comfort zone is part of who you are."

"That doesn't mean they're not still uncomfortable."

It's true. I do push myself to do things outside of my comfort zone, not because I'm an adrenaline junkie with something to prove, but because so often what I want is beyond the boundaries of what I know. I do these things because I know I'd regret not doing them:

  • Auditioning for college and community theatre
  • Living in a foreign country for a year
  • Going out to eat or to a movie by myself
  • Signing up for a five-day art seminar retreat
  • Putting my private thoughts out there for the world to read
  • Planting a garden
  • Going to conferences filled with other bloggers and writers
  • Signing up for a summer watercolor class
  • Learning to drive a stick shift
  • Mastering the insidious worlds of mortgage lending and credit scores
  • Taking a roadtrip by myself
  • Calling the mayor's office to ask for an interview
  • Going door-to-door to campaign for my candidate of choice
  • Starting a business
  • Trying scallops
  • Admitting that I've struggled with depression
  • Getting my first pet
  • Volunteering to be a Big Sister
  • Wearing pantyhose and high heels
I read this list and none of it seems very radical. Nothing on the list is shocking or so far outside of the norm that it would make news. But how many of our daily fears and triumphs do?

I picture my comfort and discomfort zones as slightly intersecting circles with just the tiniest bit overlapping in a shade of grey. But beyond that are more circles. Your circles. And they all intersect. What I fear, you may not think about twice. What I do with ease may send you spiraling into a panic.

What if we could let go of the fear, acknowledge the discomfort and just move on, knowing that our circles' boundaries will change; believing that others will be there to welcome us into their zones?

What if "Feel the fear and do it anyway" was more than a saying that has become trite from extended usage in certain circles? What if it's the only way to live?

I'd love to hear what your comfort zone includes and excludes. I imagine building this giant network of comfort and support, so that no matter what we have to do, we know someone who can tell us all about it and welcome us into our own unknown.

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add to kirtsy | 2:01 AM | 5 comments

3.06.2008

What Makes a Good Novel?

photo by a trying youth

Back in November, I lost my mind and decided to participate in NaBloPoMo and NaNoWriMo. Now, NaBloPoMo, or National Blog Posting Month, wasn't too bad. I went a little batty trying to come up with a new blog post every day, but I did it.

NaNoWriMo, National Novel Writing Month, was a different story. The goal was to write a 50,000 word novel in 30 days, with quantity trumping quality. I made it to 4,626 words. Which is exactly 4,626 more than I'd written before NaNoWriMo, so I'm considering it a success.

Some interesting characters sprouted up in those nine pages, and I may go back and see what they're up to. There's Anna, an American living in London. And Ian, a Scottish guy who sells puppets in Covent Garden. I know, the puppet thing is weird. I have no idea where it came from.

To gear up for NaNoWriMo, I bought No Plot? No Problem!, written by the event's founder, Chris Baty. He suggests creating two lists to help figure out a vague plot direction. The first list is what makes a good novel, and the second is what makes a boring or depressing novel. Of course, these are completely personal and need not be based on anything more than an inkling, a whim, or a fancy.

Like the puppets, I was surprised at what appeared on my lists.

What Makes a Good Novel

  • Strong plot (a page turner)
  • Interesting characters
  • Relationships
  • Satisfying, happy endings
  • The feeling that I could live in the novel’s world (and do live there while I’m reading it)
  • English setting
  • Good (but not extensive) descriptions
  • The passage of seasons
  • Believable dialogue
  • Intellectual pursuits
  • Intersections of multiple story lines
  • A sense of mystery and intrigue
  • Romance and true love
  • Unexpected connections
  • Drama
  • Comedy

What Makes a Boring or Depressing Novel


  • Long-winded passages of description of scenery and setting, especially if it involves directional attributes like north, south, east, or west
  • Too much death
  • Industrial topics
  • Obviousness
  • Adventure stories of man vs. nature
  • Anything set in a jungle
  • Plots with such a wide scope and so many characters that I need a legend to keep it all straight
  • Heavy historical perspective
  • Most detective mysteries
  • Ghosts, demons, and monsters
  • Violence
  • Bad character names
  • Ugliness
Reading over these lists again, I can see there are no hard and fast rules for my preferences. I've enjoyed a few historical and adventure stories in my time. And sometimes a happy, satisfying ending feels too cliché.

What would be on your lists? Where would you put the puppets?

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add to kirtsy | 1:23 AM | 5 comments

2.26.2008

Green Birds of Your Youth


To A Daughter with Artistic Talent

I know why, getting up in the cold dawn
you paint cold yellow houses
and silver trees. Look at those green birds,
almost real, and that lonely child looking
at those houses and trees.
You paint (the best way) without reasoning,
to see what you feel, and green birds
are what a child sees.

Some gifts are not given: you
are delivered to them,
bound by chains of nerves and genes
stronger than iron or steel, although
unseen. You have painted every day
for as long as I can remember
and you will be painting still
when you read this, some cold
and distant December when the child
is old and trees no longer silver
but black fingers scratching a grey sky.

And you never know why (I was lying
when I said I knew).
You never know the force that drives you wild
to paint that sky, that bird flying,
and is never satisfied today
but maybe tomorrow
when the sky is a surreal sea
in which you drown...

I tell you this with love and pride
and sorrow my artist child
(while the birds change from green to blue to brown).

~Peter Meinke

I love this poem, even though it ends with a sense of loss. Meinke envisions the girl growing up and losing her childlike faith and wild abandon. The fantastical green birds change to a more subdued blue, and finally to a common brown.

Why do green birds sound so outrageous? Maybe it's because those of us who live in the Northern Hemisphere don't see a lot of green birds. Perhaps we picture sparrows and robins when we think of birds. But green birds exist! Some parrots are vivid shades of green. Even the more common male mallard duck has a brilliantly metallic green head. No, green birds are neither impossible nor improbable. Green birds are real. As are red, blue, and yellow birds.

So what is Meinke getting at?

All too often, the artist that lives within us fades away as we age, consumed by responsibilities, self-consciousness, and well-meaning —- as well as ill-tempered —- adults. We let fear, social propriety, and the search for perfection stand between us and our natural desire to create.

Although the poem ends with sorrow, I take it as a cautionary tale and a reminder that it doesn't have to be this way. The gift of creation -— whatever form it takes -— is an enigmatic present. It is a gift that is given to us, but also one that we are delivered to by way of our choices. Like a muscle, our creativity strengthens with use and atrophies with neglect. Creativity is like a language: the more we use it, the more we can understand and the more we can say with it. Like the ideas of faith and love, it is simultaneously an intimate and elusive entity.

What are the green birds of your youth?


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add to kirtsy | 3:41 PM | 5 comments

1.18.2008

Top 7 Posts of '07

Lentil Soup

My First Trip to NYC

Paranoia Cha Cha Cha

The Littlest Birds Sing the Prettiest Songs

We're Gonna Have Roast Rabbit!

Downward Dog

How to be Ready for Christmas

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add to kirtsy | 2:18 AM | 1 comments

11.20.2007

Will Write for Prizes

If this is your first visit here, I suggest reading this and this. And maybe this. Because this post? Let's just be honest: It's not my best work.

Man, NaBloPoMo is really killing my street cred. You know, my street cred as a crazy-good writer-blogger. 'Coz I knows all-y'all come here for my mad writin' skillz! And here I am, about to post a cat video because it's late and I don't have time to write a good post. In any other month, I'd just not post on a day like this. But there are prizes involved in this National Blog Posting Month. Prizes, people! And to win, I have to post every stinkin' day. Besides, it's looking like I won't "win" NaNoWriMo by finishing my novel in the next 10 days. So I'm trying to save face by posting every day and sticking to NaBloPoMo.

...Actually, it's not about saving face at this point. It's about the prizes. If it were about saving face, I wouldn't be about to post not one, but two cat videos.

Wait! Don't go. The cats -- they are funny. They are worth it. Watch these videos in order to get the full effect. (They aren't duplicates.)




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add to kirtsy | 11:31 PM | 2 comments